This performance inside an Arts District soundstage is unlike anything else in L.A.
Oct 02, 2026
Photograph: Courtesy The Light We Leave BehindA chance to be present and experience something new—without the interference of phones—is increasingly rare in today’s world. Which is one of the reasons I was so intrigued by The Light We Leave Behind, an “intimate immersive water, sound and li
ght experience” popping up in the Arts District through October 11.
Created by Emmit Fenn—an L.A.–based artist, composer and producer who’s worked with artists including Billie Eilish and companies like Apple and Netflix—the experience is, in essence, a concert on the water, but the mysterious nature surrounding the event and the design elements of the space elevate it to something that’s utterly tranquil, a bit otherworldly and wholly unique.
I checked out the Light We Leave Behind at rush hour in the middle of a particularly hectic week—so the note on the invite saying “there is no need to rush” was particularly appreciated. Once you arrive at the space—a soundstage at East End Studios, set right under the already-iconic arches of the Sixth Street Viaduct—you’re led into the Snow Lounge, which took my breath away. At the center of a cavernous dark room is an illuminated 30-foot tree being lightly dusted with snow in real time. Sidle up to a bar where Tea at Shiloh—a late-night teahouse also in the Arts District—is serving a choice of three teas, which provide some coziness in the chilly space. If you arrive at your entry time, you can relax for a full half-hour in here.
Photograph: Gillian Glover for Time OutThe Snow Lounge at the Light We Leave Behind
After appreciating the peace and quiet for a bit, staff members will lead you through near-total-darkness to the Water Room, which is another showstopper. Plush beds are arranged in a square around the focal point of the space: approximately 70 glowing lightbulbs on concrete pillars, peeking out from shallow water that covers nearly the entire floor of the room. You aren’t allowed to take your own photos and videos in here—your impulse will be to capture it on your phone, but it’s actually freeing to just be in the moment—but it’s quite a spectacle.
You walk across the water to get to your seat—and the staff takes meticulous care to guide you, shining flashlights across the large stones rising up out of the water—but I was curious if there had been any mishaps. “During some of the earlier iterations of the show, we definitely had a few people accidentally step into the water or even completely forget there was water next to them and put a purse or jacket straight into it which is…definitely not super fun,” says Fenn. “But we learned pretty quickly from those moments, and thankfully, these days it rarely ever happens.”
At the center of all those lightbulbs and water is a set-up for four musicians, who emerged without ceremony and began to play as the lights shut off. But it turns out this wasn’t just an elevated version of the candlelight concerts you see advertised on Instagram—rather, Fenn has devised a way to connect the lights directly to the musical system, so they sync up in a very satisfying way. One repeated note on the piano meant that one lightbulb was gently flashing. Musical swells from the entire ensemble meant that the entire surface of the water was illuminated. The program leans classical and contemporary—in addition to piano, there’s violin and even some saxophone action—and Fenn composed many of the pieces specifically to interact with the environment.
Photograph: Courtesy The Light We Leave BehindThe Water Room at the Light We Leave Behind
My favorite part of the night was near the middle of the set, when the lightbulbs all switched to blue, and rainfall cascaded around the musicians in a circle. It felt like being cozy in bed in the middle of a rainstorm—and since the room is so huge, at times I almost felt like I was outside.
The performance lasted for an hour and change—at which point, plot twist, it turned out Fenn was the incredible pianist playing in the dark the whole time. He shared a bit about the inspiration of the show, thanked everyone for coming, and then we were led out to the Gallery, where you could learn more about the creative process behind the project and purchase minimalist merch.
The Light We Leave Behind intentionally shakes up the typical concert experience. Says Fenn, “We really want to show people that music can be presented in a completely different way than what we’re used to. A show doesn’t have to begin when the first note is played and end when the music stops. The space, the way you’re welcomed, how you sit, what you smell, what you experience before and after, every little detail, all of it can be part of the performance. That’s what’s exciting to us, and that’s what we’re constantly chasing.”
The ticket prices reflect the limited-time nature of the engagement and the ambition of the production—$145 will get you reclined seating and the Snow Lounge experience before, with complimentary tea. A patron ticket for $250 includes a curated gift bag and VIP parking. Both options promise “an evening unlike any other”—and I do think Fenn and his team deliver on that promise.
The Light We Leave Behind runs Thursdays through Saturdays until October 11. There are multiple performances each evening, starting as early as 4pm, with the last show at 10pm. You can buy tickets here.
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