Allee Willis was your favorite artists’ favorite artist decades before Chappell Roan. Allee Willis was a truly fascinating, wildly-creative artist who worked almost exclusively behind the scenes. She was your favorite artists’ favorite artist decades before Chappell Roan. Allee Willis: creative force behind the Friends TV Show Theme, Dangerous Woman to Soviet newspapers Allee Willis: Creative Force, Dangerous Woman, Queer Songwriter Behind Friends' Theme Further Proof That Friends Is Queer-Coded by Melissa Locker Whether you watched the show or not, you can probably hum the theme song to Friends. Do you know who wrote it for the Rembrandts? And "September"—the Mercury's second favorite song—do you know who co-wrote that with Earth Wind and Fire's Maurice White? Not to sound like a weird TV pitchman, but what if I told you they were written with the same person. Specifically,  Allee Willis—who was once dubbed “the most dangerous woman in the world” by Pravda, the the official newspaper of the prelapsarian Soviet Union.   Willis is the star of a new documentary, The World According to Allee Willis, which screens at PAM CUT this Saturday and in the QDoc Film Festival on November 16. The doc is worth your time to burnish your bar trivia skills, but also because Willis was a truly fascinating, wildly-creative artist who worked almost exclusively behind the scenes. She was your favorite artists’ favorite artist decades before Chappell Roan. Willis had insisted on documenting her life, since 1978, long before reality TV was a thing, so there's plenty of her archival video found in the film. "I've always known that my final art piece would be someone putting together the trail I've left behind," she says in one clip.  In 2019, Willis died at age 72, and director Alexis Manya Spraic became responsible for following that trail. Spraic intersperses the footage with a cavalcade of famous faces—Paul Reubens, Lily Tomlin, Cyndi Lauper, Pamela Adlon, Paul Feig, Sex and the City director Michael Patrick King, Devo’s Mark Mothersbaugh, as well as—somewhat inexplicably—billionaire Mark Cuban. Their interviews confirm that Willis really was a Hollywood power player, even if you don’t know her name. Raised in Detroit as Alta Willis, the artist admits that growing up in the shadow of Motown influenced her work. She also did a stint in New York where she wrote her one and only album, Childstar, which had “great reviews and zero sales.” Eventually Willis moved to California because “if she was going to starve to death, she was going to do it in the sun.” ["Not me!" -Portland creatives.] Willis lived on welfare in that sun, until "Godmother of Soul" Patti LaBelle heard her music, and kickstarted Willis’ songwriting career. Then came Earth Wind & Fire and “September,” the track that made Willis a songwriting star. "Allee said she was lucky to meet us. We were lucky to meet her, too,” the group's bassist Verdine White says in the film. “That was life-changing for all of us.” Earth Wind & Fire followed the success of "September" by co-writing another hit “Boogie Wonderland” with Willis, helping her become the music industry’s go-to “rock doc” who could fix up a song and turn it into a hit.  Courtesy of Magnolia Pictures In addition to being a wildly successful songwriter, Willis was also an art director and set designer, creating the backdrops for Debbie Harry music videos, among others. She continued to collaborate on songs, behind the scenes, and won both a Grammy and a Tony for her work on the musical The Color Purple.  The Friends theme was nominated for an Emmy, but didn't win. While Willis was able to find professional success, that never quite translated into financial solvency. She also faced challenges in her private life—partially because she was queer at a time when it was extremely difficult to be open and out. She struggled with loneliness for much of her life, Lauper says during one of the film's interviews. Willis did eventually find love, and then had to contend with the near-universal struggle of balancing work, creativity, and her personal life. When you’re looking at The World According to Allee Willis, it's a wild,  wonderful, and sometimes painful view, but well worth watching. The World According to Allee Willis screens at PAM CUT’s Tomorrow Theater, 3530 SE Division, Sat Nov 2,  4 pm, $15, tickets here. And as part of QDoc Film Festival at Hollywood Theatre, 4122 NE Sandy, Sat Nov 16, 4:30 pm, $12, tickets here. Some streaming starting Nov 22. Visit alleewillisdoc.com for more.