On a platform, a scaffold indicating two towers. In one stands a worker, Elvira (Alma Pauleth), looking straight ahead. In another, a dancer (Wannapa Pimtong-Eubanks) feathered in white, a bird or a bride, with an ornate mirror around her neck gleaming like a Catholic medal, who begins to move with fluttering gestures in the area […] The post ‘A vision of female mercy, resistance, and solidarity’ appeared first on Chicago Reader.